1-Bit Dither: Two Colors, Infinite Mood

What 1-Bit Dither Does

You have an image with 16 million colors. You're going to express it using two: black and white. Dithering decides where each one goes.

1-Bit Dither Algorithm Diagram

The illusion of gray comes from dot density. Lots of black pixels close together = looks dark. Sparse black on white = looks light. Stand back from the screen — your eye averages it.

Four Algorithms

Each produces a distinct look. Try all of them on the same image.

Threshold
Pixels above the threshold become white, below become black. No mixing. Hard, posterized. Best for high-contrast graphics and logos.

Floyd–Steinberg
Error diffusion: when a pixel rounds to black or white, the leftover "error" is pushed to neighboring pixels. Result: soft, slightly fuzzy gradients. The most photographic of the four.

Atkinson
Like Floyd–Steinberg but only diffuses 75% of the error and skips some neighbors. The result is brighter and more contrasty — this is the dither used on the original Macintosh.

Bayer
Uses an ordered matrix (2×2, 4×4, or 8×8) to decide threshold per pixel. The output has a visible regular pattern — looks like a pre-print halftone. Best when you want the pattern visible.

Parameters

Threshold (0–255)
Center point for black vs white. 128 = neutral.

  • Lower: more white pixels, brighter overall

  • Higher: more black pixels, darker overall
  • Bayer Size (2 / 4 / 8) — Bayer only
    Smaller = chunkier visible pattern. Larger = finer, almost smooth.

    Pixel Scale (1–8)
    Downsamples before dithering. Higher = bigger, retro lo-fi dots.

    Good Subjects

  • Portraits: Atkinson gives that classic MacPaint face look

  • Landscapes: Floyd–Steinberg keeps tonal range

  • Type and logos: Threshold, crisp

  • Anything you want to feel printed: Bayer with low size
  • Recipes

    Original Macintosh

  • Atkinson, threshold 128, pixel scale 2

  • Looks like 1984 MacPaint
  • Newspaper Halftone

  • Bayer, size 4 or 8, threshold 128

  • Print-shop dots
  • Risograph

  • Floyd–Steinberg, threshold ~140

  • The slightly imperfect zine vibe
  • Fax Machine

  • Threshold, pixel scale 4

  • Pure crunch
  • What to Avoid

  • Subtle gradients you need to keep smooth: pick Floyd–Steinberg, not Threshold

  • Very small text: dither and font can fight
  • Combinations

  • Dither + CRT: scanlines on a 1-bit image. Computer terminal from another era.

  • Dither + RGB Shift: wait — RGB Shift adds color back. Run dither last for pure 1-bit. Or run RGB first for split-channel dithered chaos.

  • Dither + Block Jitter: scanned-and-corrupted printout.
  • The Idea

    Two colors is more than enough. The rest is math.